Documented live at Néw York's Hammérstein Ballroom in 1998, this two-CD place isn'capital t great, but it offers a lot even more to offer than many of thé by-the-bóok studio room recordings she'd long been producing. But still acquired what it required to deliver a worthwhile live overall performance, even if many of her studio room albums sounded stiff, artificial and unspontaneous.
Live life RB collections had been a rárity in the '80s and '90s, when numerous urban contemporary artists were so dependent on studio technology that they had been unable of acquiring it to the phase.
